Janet Nelson

 ( 1942 Births ) 

Although she had studied under Ullmann, in 1977 she published an article critiquing his work, which she saw as overly sympathetic to the Carolingian Empire's administrative bureaucracy. Instead, Nelson argued that Ullman had overestimated the Empire's ability or sophistication to reform itself as he had earlier proposed, thereby casting doubt on the decisiveness of the Carolingian Renaissance. She returned to the topic over her career, and while—in Paul Fouracre's words—"coming to appreciate the coherence of Carolingian thought, she also recognised that much of it was rhetorical".

Elected a Fellow of the Royal Historical Society in 1979, Nelson was appointed the Society's first female President in 2001. Her first biography, in 1992, was of the 9th-century Frankish King, Charles the Bald. She was President of the Ecclesiastical History Society (1993–94) and was a Vice-President of the British Academy (2000–01), which she had been elected to in 1996. In 2013 she gave the British Academy's Raleigh Lecture on History. text video The Jinty Nelson Award for Inspirational Teaching & Supervision in History was established by the Royal Historical Society in January 2018.

Nelson's research focused on early medieval Europe, including Anglo-Saxon England. She published widely on kingship, government, political ideas, religion and ritual, and increasingly on women and gender during this period. From 2000 to 2010 she co-directed, with Simon Keynes (of Cambridge University), the AHRC-funded project Prosopography of Anglo-Saxon England.

She published over 140 papers—half of which were gathered into four volumes of collected essays—as well as book-reviews. She co-founded and co-edited, with Rosemary Horrox, the translation-series Manchester Medieval Sources from 1991 until 2009, and from 2011 was co-editor, with Henrietta Leyser, of The Oxford History of Medieval Europe.

Her last book King and Emperor, a biography of Charlemagne, was published in 2019. Reviewing the book for the Financial Times, historian David Bates said, "Rigorous assessments of difficult evidence are mixed with what feels like invitations to conversation. Their effect is to transport readers away from the eighth and ninth centuries to the 21st — and into quite a few others as well — demonstrating the effectiveness of biography as a means to understand a seemingly remote age, a subject on which Nelson reflects insightfully."

Explaining her approach, she said: ".. my research has centred on early medieval European themes: politics and ritual, women's history and gender, ecclesiastical, social and cultural history. As my publications suggest, I tend to stick to choices, once made. My preferred genres are articles rather than books, collaborative and interdisciplinary projects rather than solo ones."